Pull My Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo Frank, Robert Frank's then-infant son.

Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results.

Originally intended to be called "The Beat Generation" the title "Pull My Daisy" was taken from the poem of the same name written by Kerouac, Ginsberg and Neal Cassady over the 40's and 50's. The poem features in the film as the lyric within the Jazz composition at the films opening.

The Beat philosophy emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised. Pull My Daisy was accordingly praised for years as an improvisational masterpiece, until Leslie revealed in a November 28, 1968 article in the Village Voice that the film was actually carefully planned, rehearsed, and directed by him and Frank, who shot the film on a professionally lit studio set.

Pull My Daisy has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry.

(Text is from Wikipedia