Bill Maher gives his thoughts on the WGA writers strike during "Real Time With Bill Maher" (January 11, 2008) on HBO.
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I recently heard a computer programmer comment on this strike, and he said he thought the execs ought eventually to try to seek the deal that software companies have with programmers, that is: You write the code we pay you to write, then we own it, period. Salary... or per instance, but no profit sharing. Once you wrote what we paid you to write, it is ours... Outside of the traditional "arts", that is the way that business works.
On the other hand perhaps the "new arts" (those being programing and game-making perhaps) ought to seek the deal Hollywood has. heh.
Which way do we want things to go? thoughts?
-Karl
http://www.latimes.com/news/opinion/la-oe-altschuler20dec20,0,6519302.story
What's different between this strike and the one 19 years ago is the studios' corporate financial backing: they can weather a strike much more comfortably than before so they could outlast the writers if they had to.
More to the point, what does everyone lose by letting the strike go on? I don't feel either side has adequately considered those consequences. Sickened by the excess of reality TV programming, will viewers finally break their addiction to network and cable TV? Will viewers instead turn to the internet as their preferred platform to view content? Will A-list writers abandon their studio jobs to write for a new internet TV network? The strike will have accelerated each these scenarios.