The WMF's new fundraising video for October 2007.

Lil Wayne performs a pretty ridiculous acapella rap about cunnilingus.

I think she sounds like a cross between a dying cow and Pat the androgynous SNL character.

Some Brazilian hidden camera show films a fake skeleton on a remote controlled motorcycle riding by a cemetery wall at night inviting people to take a ride with him to hell.

Louis CK explores the logical impossibilities that animation allows him to indulge in.

First off, there's an intro showing these guys in their cool threads hanging out at what appears to be Target? Then the first one stands in front of the camera, introduces himself then begins to make... more inside

The Rational Response Squad recently was asked to respond to claims that Ray Comfort and Kirk Cameron could prove that god exists without invoking faith or the bible. Comfort and Cameron failed at this... more inside

This was actually an Achewood guest strip done by James Kochalka of www.americanelf.com. www.achewood.com

This guy (Alex DePue) is playing Yes - Owner of a Lonely Heart & Michael Jackson - Smooth Criminal on a violin.

After an interview, Jack Kerouac reads his reason for writing while being accompanied by jazz pianist Steve Allen. - This is a few minutes from two different scenes that were edited from the original... more inside

Using the magnetic strip on the back of his driver's license, this guy makes a ribbon controller which then controls Autofilter in Live 6 via MIDI.

Civilian EOD contractors detonating 100 tons of explosives... Great explosion... The sound is amazing!

Will Ferrell has a bit of a landlord problem.

Looks at the Apollo 11 space mission and how behind-the-scenes there were several instances of technology and human failure and errors that ... all » nearly led to disaster. Astronaut Buzz Aldrin and flight director Gene Kranz give their accounts of the first manned moon landing in 1969.

The Pervert's Guide to Cinema (2006) is a two-hour documentary by Sophie Fiennes, scripted and presented by Slavoj Zizek. It explores a number of films from a lacanian psychoanalytic theoretical perspective.